CHILENOS EN EL EXTRANJERO
Jorge Tacla estudió en la Facultad de Artes de la Universidad de Chile entre los años 1976 y 1979. Trabaja en Nueva York desde 1981.
Ha participado en más de 400 exposiciones individuales y colectivas alrededor del mundo. En relación a su obra, existen más de 600 artículos y textos. Ha sido catalogado como uno de los artistas contemporáneos chilenos con mayor presencia internacional.
Su obra está presente en importantes colecciones públicas y privadas. Entre los premios que ha recibido destacan el “John Simon Guggenheim Memorial Foundation Fellowship” 1988 y el “New York Foundation for the Art” (19
87 y 1991). Profesor de Seminario Internacional.
El mundo de Tacla está lleno de sitios en escombros, lugares históricos que involucran la pérdida y el nacimiento humanos en todos los niveles. El proceso cerebral del artista analiza mediante la incorporación de señaléticas, sucesos que como en la serie "Ciclo de Nitrógeno", determinan una época y millones de vidas humanas y no se detiene en el puro relato histórico.
Tacla se acerca a la ruina y los escombros con la intención de extraer lo revelador, lo trascendente, una vertiente cultivada también por el maestro alemán Anselm Kiefer.
Durante la década del ’90 fue galardonado en múltiples ocasiones.
Tacla plantea la permanencia de la pintura tradicional, liberada de prejuicios y discursos teóricos. Ha evolucionado desde imágenes que tenían como referente la música y cultura afro-latina e indígena americana, a una pintura neoexpresionista, netamente paisajística y urbana, donde sobresalen la fuerza, el oficio y complejidad.
Generalmente realiza obras de gran formato utilizando medios como el óleo y el acrílico sobre tela, yute y papel, incorporando también elementos de la gráfica, con lo que evidencia un sólido dominio del dibujo, dotando siempre a su obra de fuertes colores expresivos, cosas que se adecuan como soporte a la gran gestualidad que plasma en cada trazo que conforma todos y cada uno de sus trabajos.
Pregunta Hilda Flández
¿Cuál es su motivación por el arte y en qué medida cree que esta área o asignatura tiene valor dentro de las escuelas como aporte a la enseñanza integral de los alumnos?
Respuesta Jorge Tacla
Mi motivación por el arte esta directamente relacionada con la expresión, crear un lenguaje, un espacio de reflexión, los conflictos, la belleza y la capacidad subversiva del quehacer artístico.
El aporte de esta área en las escuelas es fundamental ya que ayuda a entender la evolución de la sociedad a aceptar las diferencias a cuestionar la injusticia a admirar la belleza, y denunciar los conflictos.
Ángulo de dirección, 1993
152,5 x 152,5 cm
Óleo sobre yute
Jorge Tacla
PREMIOS
1981 Beca de la Corporación de Amigos del Arte, Santiago.
1986 AT&T Foundation. Estados Unidos
1987 New York Foundation for the Arts. Estados Unidos
1988 Beca de John Simon Guggenheim Memorial Foundation. Estados Unidos
1991 New York Foundation for the Arts. Estados Unidos.
1992 Premio Eco Art, Brasil.
1995 Premio del Círculo de Críticos de Arte de Santiago, Chile.
EXPOSICIONES INDIVIDUALES
1982 Zapateo Americano, Galería Sur, Santiago, Chile.
1982 Mi Abuela en Nueva York, Galería Forum, Lima, Perú.
1983 Inter-American Art Gallery, Nueva York, Estados Unidos
1983 New Math Gallery, Nueva York, Estados Unidos
1984 Nohra Haime Gallery, Nueva York, Estados Unidos
1985 Galería Forum, Lima, Perú.
1985 Limbo Gallery, Nueva York, Estados Unidos
1986 Pulitzer Gallery, Amsterdam, Holanda.
1986 Nohra Haime Gallery, Nueva York, Estados Unidos
1986 Museum of Contemporary Hispanic Art, Nueva York, Estados Unidos
1987 Forum, Nohra Haime Gallery, Zürich, Suiza.
1987 Desde el Nilo hasta el Mapocho, Galería Arte Actual, Santiago, Chile.
1987 Galería Forum, Lima, Perú.
1988 A Imagen y Semejanza, Nohra Jaime Gallery, Nueva York, Estados Unidos
1989 Seibu Fine Arts Gallery, Tokyo, Japón.
1989 Cuaresma en Atacama - Out of Focus, Nohra Haime Gallery, Nueva York, Estados Unidos
1990 Watercolors, Nohra Haime Gallery, Nueva York, Estados Unidos
1991 Hemispheric Problems, Time and Space in Negative, Nohra Haime Gallery, Nueva York, EE.UU.
1991 Art at the Edge, High Museum of Art, Atlanta, EE.UU.
1992 Jorge Tacla: Borders, Nohra Haime Gallery, Nueva York, EE.UU.
1992 Jorge Tacla, Memory of Place, Lehman College Art Gallery, Bronx, New York, Estados Unidos
1993 Notas y Referencias, Galería Der Brücke, Buenos Aires, Argentina.
1993 Irrealidad 1982-1993, Museo de Monterrey, México.
1993 Jorge Tacla: New York. Nohra Haime Gallery, Nueva York, Estados Unidos
1994 Internal Biology, Galería Ramis Barquet, Monterrey, México.
1995 Fredric Snitzer Gallery, Miami, Estados Unidos
1995 Epicentro, Museo Nacional de Bellas Artes, Santiago, Chile.
1995 Epicentro, Museo Nacional de Bellas Artes, Buenos Aires, Argentina.
1997 Dibujos,1983-1996, Museo de Arte de Milwaukee, Estados Unidos
1997 Centro Cultural Consolidado, Caracas, Venezuela.
1998 Shanty Town, Galería Ramis Barquet, New York, Estados Unidos.
1998 Dibujos, Museo de Arte de Milwaukee, Estados Unidos
1998 Organismos Vivos, Fundación Corp Group Centro Cultural, Caracas, Venezuela.
1999 Información Restringida, Galerìa A.M.S. Marlborough, Santiago, Chile.
OBRAS EN COLECCIÓN DEL MUSEO NACIONAL DE BELLAS ARTES
Ciclo de Nitrógeno, 1996, óleo y serigrafía sobre tela, 272 x 284 cm.
OBRAS EN OTRAS COLECCIONES PÚBLICAS
MUSEO CHILENO DE ARTE MODERNO, SANTIAGO, CHILE.
Sin Título, 1993, óleo sobre yute, 98 x 78 cm.
CORTE DE LA VIVIENDA DEL BRONX, NUEVA YORK, ESTADOS UNIDOS
GALERÍA RAMIS BARQUET, MONTERREY, MÉXICO.
SALA TACLA, CIUDAD EMPRESARIAL, HUECHURABA, SANTIAGO.
Irrealidad Eterna, mural.
OBRAS EN COLECCIONES PARTICULARES
Epicentro, 1994, óleo osbre tela, 160 x 145 cm.
Calcular Mal, 1994, óleo sobre tela, 178 x 163 cm.
Grupo de Objetos Sólidos, 1993, óleo sobre tela,, 264 x 262 cm.
Notas Elementales, 1991, óleo sobre tela, 78 x 150 cm.
Lugares en Común, 1989, óleo sobre tela, 203 x 152 cm.
Caupolican 1987, 1985, óleo sobre tela, 132 x 117 cm.
Sin Título, 1985 (Diptico), óleo sobre tela, 96 x 132 cm.
JORGE TACLA
Born in Santiago, Chile: 1958
Moved to New York City: 1981
EDUCATION
1976–79 Escuela de Bellas Artes, Universidad de Chile, Santiago, Chile
SELECTED GRANTS & AWARDS
1981–82 Grant “Corporación Amigos del Arte,” Santiago, Chile
1986 AT & T Foundation
1987 New York Foundation for the Arts
1988 John Simon Guggenheim Memorial Foundation Fellowship
1991 New York Foundation for the Arts
1992 Eco Art Award, Brazil
SELECTED EXHIBITIONS
2007
- Galeria Animal, “Jorge Tacla – Escombros”, October – November, Santiago, Chile
- Picker Art Gallery, “Images of war: Recent Acquisitions”, August – November, Colgate University, Hamilton, New York
- Washington County Museum of Fine Arts, “Diamond Jubilee”, September – October, Hagerstown, Maryland
2006
- Center for Architecture “City Art”, New York, NY
- La Tabacalera, “Map”, San Sebastian, Spain
- Galeria Paupa, “Catharsis”, San Sebastian, Spain
2005
- Wayne State University, Elaine L. Jacob Gallery, “Images of Time and Space; Contemporary Views of Landscape”, Detroit, MI
- Washington County Museum of Fine Arts, “Drawings”, January 21-April 10, Hagerstown, MD
- Museo de Arte del Banco de la Republica,” Contradicciones Y Convivencias “ Arte de America Latina
1981-2000, Bogota, D.C. Colombia
2004
- Lehman College Art Gallery, “ Images of time and Place: Contemporary Views of Landscape”,
Bronx, NY
- Museo de Arte Contemporaneo de Monterrey, “En el Sueno de los Ojos”, Monterrey, Mexico
- Museo Contemporaneo de Caracas, “ Coleccion Bidimencionel de MACCSI, Caracas, Venezuela
2003
- Galeria Ramis Barquet, “Jorge Tacla – Mass of Cement,” January – February, New York, NY
- Galeria Lucia de la Puente, “Jorge Tacla – Break Point,” April – May, Lima, Peru
- Lowe Art Museum, “Paradise Lost? Aspects of Landscape in Latin American Art”, Coral Gables, FL
- Sacred Heart University, “In the Realm of the Absurd”, Fairfield, Conneticut
2002
- Boca Raton Museum of Art, “Reality and Figuration: The Contemporary Latin American Presence,” Boca Raton, FL
- Galería Lucía de la Puente, "Arte de América Latina," Lima, Perú
- The Interamerican Development Bank Cultural Center Art Gallery, “Paradox & Coexistence”, Washington DC
2001
- Galeria Klaus Steinmetz, “Jorge Tacla”, August – September, San Jose, Costa Rica
- Sala Tacla Patio Mayor, “Jorge Tacla, Irrealidad Eterna”, Santiago, Chile
- Museo de Arte de Ponce, “Moderna Postmoderna”, Ponce, Puerto Rico
- California Center for the Arts Museum, “Recent Acquisition”, Escondido, California
2000
- Galeria Ramis Barquet, “Jorge Tacla – Señal de Abandono,” March – April, Monterrey, Mexico
- Galeria Ramis Barquet, “Jorge Tacla – Cargador de Carne,” October – November, New York, NY
- Carrie Secrist Gallery “Blue,” Chicago, IL
- Milwaukee Art Museum, “Acquisitions,” Milwaukee, WI
1999
- A.M.S. Marlborough, “Informacion Restringida,” April – May, Santiago, Chile
- Galería Luis Adelantado, September, Valencia, Spain
- Gallery A, Inc., Chicago, IL
- Centro De Arte Euroamericano, Caracas, Venezuela
1998
- Dansens Hus, “No Freedom…No Culture: A Conference on Freedom of Expression – Photos”.
March, Stockholm, Sweden
- Centro de Arte Euroamericano, “Jorge Tacla Paintings,” Caracas, Venezuela
- California Center for the Arts Museum, “Paintings and Drawings – 1989-1996,” May 22 –
September 2, Escondido, CA
- Fundacion Corp Group, Centro Cultural, “Organismos Vivos,” July 19-October 11, Caracas, Venezuela
- Galería Ramis Barquet, “Jorge Tacla – Shanty Town,” October 20-November 17, New York, NY
- Milwaukee Art Museum, “Paintings from the Collection,” Milwaukee, WI
- Kennisaw State University, “Monumental Propaganda,” February 21– March 24, Kennisaw, GA
- Centro Cultural del Banco do Brasil, “Terra incognita.” Rio de Janeiro, Brazil
- Gallery A, Inc., "The Shared Medium: A Latin-American Drawing Exhibition," Chicago, IL
1998-97
- Milwaukee Art Museum, “Jorge Tacla Drawings,” December 19, 1997 – February 15, 1998, Milwaukee, WI.
- Marco Museo de Arte Contemporáneo de Monterrey, “Premio Marco,” Monterrey, Mexico
1997
- Helsinki City Art Museum, Helsinki, Finland; Uppsala Konstmuseum, Helsinki, Finland: “Monumental
Propaganda.”
- Centro De Arte Euroamericano “Jorge Tacla ,trabajos recientes”, Caracas, Venezuela
1996
- Galeria Ramis Barquet, “Self-Feeder,” May 3 – June 10, Monterrey, N.L., Mexico
- Marco Museo de Arte Contemporáneo de Monterrey, “Premio Marco,” Monterrey, Mexico
- The Bronx Museum of the Arts, “Bronx Spaces,” Bronx, NY
- The New Museum of Contemporary Art—Auction and Exhibition, April 27– May 12, New York, NY
- Exit Art, “The Shape of Sound,” New York, NY
- Muckenthaler Art Center, Fullerton, CA; Bass Museum of Art, Miami Beach, FL
- Kemper Museum of Contemporary Art & Design, Kansas City, MO: “Monumental Propaganda”
- Galería Ramis Barquet/Robert Miller Gallery, “Latin American Contemporary Artists,” New York, NY
1995
- Fredric Snitzer Gallery, “Unsolved Problems,” July 7– 31, Coral Gables, FL
- Museo Nacional de Bellas Artes, “Epicentro,” July 13 – August 20, Santiago, Chile
- Museo Nacional de Bellas Artes, “Epicentro,” October 31– December 20, Buenos Aires, Argentina
- Marco Museo de Arte Contemporáneo de Monterrey, “Premio Marco,” Monterrey, Mexico
- Brooke Alexander “Prints to Benefit the Foundation for Contemporary Performance Arts,”
New York, NY
- Dunlop Art Gallery, Regina Public Library, “Monumental Propaganda,” April 8 – May 14, Regina, Saskatchewan, Canada
1994–96
- Museo del Palacio de Bellas Artes, Mexico City, Mexico; Museo de Monterrey, Monterrey, Mexico; Museo de Aguascalientes, Aguascalientes, Mexico; Centro Cultural Tijuana, Baja, California; Instituto Cultural Cabañas, Guadalajara, Jalisco, Mexico; Museo de Arte de Querétaro, Querétaro, Qro.,
Mexico: “Pinturerías. El Arte del Arte Taurino.” November 24 – [January 1996]
1994–95
- Smithsonian Institution, International Gallery: “Monumental Propaganda,” December 7– February 26, Washington, DC
1994
- Galería Ramis Barquet, “Internal Biology,” Monterrey, N.L., Mexico
- Le Temps d’un Dessin—Galerie de L’Ecole des Beaux-Arts de Lorient, March 16 – April 6, Lorient, France
- Arte Sandra Ascárraga, “Cinco Artistas de las Américas,” Mexico City, Mexico
- El Museo del Barrio “Artists Talk Back: Visual Conversations With El Museo. Reclaiming History.”New York, NY
- AI Gallery, Institute of History, Tallin, Estonia; Moderna Galerija Ljubljana, Ljubljana, Slovenia: “Monumental Propaganda”
1994-93
- Museo de Monterrey, “Jorge Tacla: Irrealidad 1982–1993,” October 21 – January 20, Monterrey, Mexico
1993–96
- Museo de Arte Contemporaneo, Panama City, Panama; Salón Cultural Bancatlan, Tegucigalpa,
Honduras; Patronato Pro Patrimonio Cultural, San Salvador, El Salvador; Centro Binational,
San Jose, Costa Rica; IV Bienal Internacional De Pintura—1994, Cuenca, Ecuador;
Museo de Arte Moderno, Medellin, Colombia; Museo de Arte Moderno, Bogota, Colombia;
BNC’s Galeria Augustin Barrios, Asuncion, Paraguay; Casa de Bastidas, Santo Domingo,
Dominican Republic, Fundacion Banco Patricios, Buenos Aires, Argentina; Museo de Arte Moderno Juan Astorga, Merida, Venezuela,Centro Cultural Consolidado, Caracas, Venezuela: “Current Identities: Recent Paintings in the United States”
1993–95
- Hartnett Gallery, University of Rochester, Rochester, NY; College of St. Rose, Albany, NY; Michael C. Rockefeller Arts Center, State University of New York, Fredonia, NY; Hofstra University, Hempstead, NY; The Philharmonic Center, Naples, FL: “Engaged Cultures”
1993–94
- Leo Castelli Gallery, “Drawings. Thirtieth Anniversary Exhibition. To Benefit the Foundation for Contemporary Performance Art.” December 11– January 8, New York, NY
1993
- Galería Der Brücke, “Notas y Referencias,” March 31– May 15, Buenos Aires, Argentina
- Nohra Haime Gallery, “New Work,” November 17– December 23, New York, NY
- Krannert Art Museum & Kinkead Pavillion, University of Illinois, Urbana – Champaign, IL; I Space,
University of Illinois, Chicago, IL: “Paper Trails: The Eidetic Image”
- Annina Nosei Gallery, “Seven Latin American Artists,” New York, NY
- Cavin Morris Gallery, “Aquí y Afuera: Latin-American Works on Paper,” July 1– August 31, New York, NY
- Courtyard Gallery, World Financial Center, New York, NY
- Institute for Contemporary Art, “Monumental Propaganda,” Moscow, Russia
- Sewall Art Gallery, Rice University, “Masks,” Houston, TX
- Lehman College Art Gallery, “Contemporary Public Art in The Bronx,” October 19– December 15, Bronx, NY
- Marisa del Re Gallery, “The Linear Image II: Twentieth-Century Master Works on Paper,” October 7– November 6, New York, NY
- The Drawing Center, “Return of the Cadaver Exquis,” November 6 – December 18, New York, NY
1992–94
- Museo de Arte Moderno, Rio de Janeiro, Brazil; Casa de América, Madrid, Spain; Casa de Parra, Santiago de Compostela, Spain; Instituto Italo Latino-Americano, Rome, Italy; Palazzo Ducale, Genoa, Italy; Galeries Des Halles De I’lle, Geneva, Switzerland; Le Toit de La Grande Arche, Paris, France; Palácio Galvea, Lisbon, Portugal: “Eco Art”
1992
- Nohra Haime Gallery, “Borders,” April 7– May 2, New York, NY
- Lehman College Art Gallery, “Jorge Tacla: Memory of Place,” November 5 – December 16, Bronx, NY
- Phillipe Briet Gallery, “Domenikos Theotokopoulos: A Dialogue,” New York, NY
- Museum of Art, Rhode Island School of Design, “Migrations,” Providence, RI
- Reflex Modern Art Gallery, “Miniature Museum,” Amsterdam, The Netherlands
- Asian American Arts Center, “And He Was Looking for Asia: Alternatives to the Story of Columbus Today,” New York, NY
1991–92
- High Museum of Art, “Art at the Edge: Jorge Tacla,” November 21–January 31, Atlanta, GA
- Cleveland Center for Contemporary Art, Cleveland, OH; Museum of Contemporary Art, Wright State University, Dayton, OH; Western Gallery, Western Washington
University, Bellingham, WA; Macdonald Stewart Art Centre, Guelph, Ontario, Canada:
“Cruciformed: Images of the Cross Since 1980”
1991
- Nohra Haime Gallery, “Hemispheric Problem: Time and Space in Negative,” January 8 – February 9,
New York, NY
- San Diego Museum of Art, “Latin American Drawings Today,” March 16 – April 28, San Diego, CA
- Marco Museo de Arte Contemporáneo de Monterrey, “Myth and the Magic in the Americas: The Eighties,” Monterrey, Mexico
- Richard F. Brush Art Gallery, St. Lawrence University, “McNature,” Canton, NY
1990–91
- National Museum of Contemporary Art, “Works on Hanji Paper,” November 21– February 20, Seoul, South Korea
1990
- Nohra Haime Gallery, “Watercolors,” October 3 – 27, New York, NY
- Thomas Center Gallery, “Borderlines: Recent Drawings by Hispanic Artists,” March 4 – April 8, Gainesville, FL
- Woodstock Gallery Association, “Signs of Self: Changing Perceptions,” Woodstock, NY
- Museo de Bellas Artes, “Earth: Latin America’s Vision,” Caracas, Venezuela
- Museum of Contemporary Hispanic Art; New Museum; Studio Museum in Harlem: “The Decade Show,” New York, NY
- Blum Helman, New York, NY; Hong Kong Art Center, Hong Kong: “China 4”
- Southeastern Massachusetts University Art Gallery, “Poetics of Presence,” N. Dartmouth, MA
1989
- Seibu Fine Arts Gallery, “Fantasy of the Figure,” September 20 – [October], Tokyo, Japan
- Nohra Haime Gallery, “Jorge Tacla: Out of Focus,” November 1 – 18, New York, NY
- Seibu Artforum, “Fantasy of the Figure: 3 Visions,” August 18–30, Tokyo, Japan
- Archer M. Huntington Art Gallery, University of Texas, “Figurative–Abstract,” Austin,TX
- Seibu Fine Arts Gallery, “Drawing Exhibition From New York,” [June–July] Tokyo, Japan
- Museum of Art, Rhode Island School of Design, “Art for Your Collection,” Providence, RI
1988–89
- Los Angeles Municipal Art Gallery, Los Angeles, CA; The Meadows Museum, Southern Methodist University, Dallas, TX; The Bass Museum, Miami, FL; Terra Museum, Chicago, IL; El Museo del Barrio, New York, NY: “MIRA”
- Museum of Art, Rhode Island School of Design, “New Visions of the Apocalypse,” Providence, RI
1988
- Nohra Haime Gallery, “Jorge Tacla: To His Image and Likeness,” September 14 – October 15, New York, NY
- Frances Wolfson Art Gallery, Miami-Dade Community College, “Finis Terrae,” Miami, FL
1987
- FORUM, “Jorge Tacla,” Zurich, Switzerland
- Galería Arte Actual, “Jorge Tacla: Del Nilo al Mapocho,” March 17– April 15, Santiago, Chile
- Galería Forum, “Jorge Tacla,” April 1– 30, Lima, Peru
- Asian Arts Institute, “The Mind’s Eye I,” New York, NY
- Terne Gallery, “From the Other Side,” New York, NY
- Hooks-Epstein Galleries Inc., “The Anatomy of Drawing,” September 12 – October 7, Houston, TX
- Archer M. Huntington Art Gallery, University of Texas, “Latin American Artists in New York Since 1970,” Austin, TX
- Gray Art Gallery, East Carolina University, “Images of Culture,” Greenville, NC
- RVS Fine Arts, “Eccentric Images,” Southhampton, NY
1986
- Pulitzer Art Gallery, “Jorge Tacla: Tekeningen,” March 22–April 24, Amsterdam, The Netherlands
- Nohra Haime Gallery, “Jorge Tacla: New Works,” April 29–May 24, New York, NY
- Museum of Contemporary Hispanic Art, “Jorge Tacla: From the Nile to the Mapocho,” May 29–July 6, New York, NY
- El Museo del Barrio, “Two by New,” New York, NY
- Jersey City Museum, “Into the Mainstream,” Jersey City, NJ
- Contemporary Arts Center, “Oppression/Expression,” May 10 – June 15, New Orleans, LA
- Gallery 69, “Liberty: A Different Perspective (An Irreverent View),” Bronx, NY
- Bronx Council on the Arts, “Democracy at Work,” Bronx, NY
- City College, “Expressions ’86: Africa in the Americas,” New York, NY
1985
- Galería Forum, “Jorge Tacla,” March 6–April 2, Lima, Peru
- Limbo Gallery, “Jorge Tacla,” October 3–27, New York, NY
- New Math Gallery, “Jorge Tacla,” December, New York, NY
- PAD/D, Judson Memorial Church, “State of Mind/State of Union,” New York, NY
- Visuala, “Frotandonosla Tacla/Díaz,” Santiago, Chile
- Paul Robeson Gallery, Pennsylvania State University, “Art Against Apartheid,” University Park, PA
- 22 Wooster Gallery, “Democracy at Work,” presented by Fashion Moda in the Basement, May 31 – June 22, New York, NY
- ABC No Rio, “Heroes and Heroines,” June 3 – 15, New York, NY
- The St. Paul’s Companies, “The Art of South America,” St. Paul, MN
- Sande Webster Gallery, “Cross Currents—New Work From New York,” Philadelphia, PA
1984–85
- Nohra Haime Gallery, “Jorge Tacla: Recent Works,” December 4–January 12, New York, NY
- City Gallery, Center for Inter-American Relations, “New Forms of Figuration,” December 7– January 18, New York, NY
1984
- P.S. 1, Institute for Art and Urban Research, “The New Portrait,” April 15–June 10,
Long Island City, NY
- Miami-Dade Community College, “New Figure Drawing: Twelve Latin American Artists,” October 10-November 9, Miami, FL
1983
- Inter-American Art Gallery, “Jorge Tacla: Recent Work,” March 15 – April 9, New York, NY
- New Math Gallery, “Jorge Tacla,” November 8 – December 4, New York, NY
- Chrysler Museum, “Contemporary Latin American Art,” Norfolk, VA
- “Salon for the New Depression,” New York, NY
1982
- Galeria Sur, “Zapateo Americano,” September 21– Ocober 17, Santiago, Chile
- Galeria Forum, “Mi Abuela en Nueva York,” November-December, Lima, Peru
- Arch Gallery, New York, NY
- Inter-American Art Gallery, “Brushwork,” New York, NY
1981
- Sala de Exposiciones del B.H.C., “Promoción del 80,” June 11– 30, Santiago, Chile
1980
- Museo de Arte Contemporaneo, Santiago, Chile
1979
- Galería C.E.D.L.A., Santiago, Chile
PUBLIC COLLECTIONS
- Archer M. Huntington Art Gallery, University of Texas, Austin, TX
- Banco Credito Inversiones, Santiago, Chile
- Banco del Estado de Chile, Santiago, Chile
- Bozano, Simonsen Collection, Rio de Janeiro, Brazil
- Bronx Housing Court, Grand Concourse, NY
- California Center for the Arts Museum, Escondida, CA
- CTC, Compania de Telecomunicaciones de Chile S.A.
- The Drawing Center, New York, NY
- Edificio el Regidor, Santiago, Chile
- FEMSA, Monterrey, Mexico
- High Museum of Art, Atlanta, GA
- Laboratories Saval, Santiago, Chile
- Lan, Santiago, Chile
- Marco Museo de Arte Contemporaneo de Monterrey, Mexico
- Milwaukee Art Museum, Milwaukee, WI
- Miniature Museum, Amsterdam, Netherlands
- Mission of Chile, New York, NY
- Museo de Arte Contemporaneo Sofia Imber, Caracas, Venezuela
- Museo de Arte Moderno, Bogota, Colombia
- Museo de Arte Moderno, Santiago, Chile
- Museo de Arte Moderno, Mexico City, Mexico
- Museo de Monterrey, Monterrey, Mexico
- Museo Jaureguia, Irurita, Navarra, Spain
- Museo Nacional de Belles Artes, Santiago, Chile
- The New Museum of Contemporary Art, New York, NY
- Random House Publications, New York, NY
- Telefonica, Santiago, Chile
- Seibu Artforum, Tokyo, Japan
- Walker Hill Art Center, Seoul, South Korea
- Washington County Museum of Fine Arts, Hagerstown, MD
Bibliografía
http://www.artistasplasticoschilenos.cl/
http://www.portaldearte.cl/autores/tacla.htm
http://www.artnet.com/artist/16371/jorge-tacla.html
http://www.artistas-americanos.com/tacla/pages/foto03.html
http://www.interciencia.org/v27_10/portada.html
http://www.galeriaisabelaninat.cl/artistas/tacla.html
Jorge Tacla. Nueva York - EE.UU
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